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• Celebrating over 20 years as SEGA's official mascot, The History of Sonic the Hedgehog is the ultimate guide to SEGA's spiky blue speedster! This hefty 300-page hardcover volume covers in detail every 2D and 3D Sonic game, plus spinoffs and crossovers. You'll also find character profiles, promotional artwork, rare concept art, and a detailed look at the origins of the "Blue Blur".

• Sales Rank: #671938 in Books
• Published on: 2013-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.10" w x 8.40" l, 2.85 pounds
• Binding: Hardcover
• 300 pages

Most helpful customer reviews

28 of 28 people found the following review helpful.
Interesting story of SEGA and Sonic
By Parka
[[VIDEOID:mo156IIN1C16JFY]]More than 20 years have passed since Sonic made its first appearance in 1991. I still remember fondly how much I enjoyed playing the first three series of the game.

The History of Sonic Hedgehog is a befitting book that celebrates Sonic's 20th anniversary. It was originally published by Pix'N Love Editions in French and this English edition is published by Udon. It's a handsome 300-page hardcover with a nice cover. I really like the cute 2D art of Sonic on the cover as compared to the 3D version on the back cover.

The book covers roughly three main parts. The first looks at the history, the second on the games and the last part on characters and extras.

The history of Sonic is intermingled with the story of SEGA, before it was even known as SEGA (it was called "Service Games"). It's an interesting flashback to the creation of the Sonic through the accounts of the developers, and to the rise and fall of SEGA as a console maker, and the transformation into a multi-platform publisher.

The pages are beautifully laid out with wonderful photos and screenshots. There are photos of consoles I never knew existed. Three lengthy interviews included are with the creators Yuji Naka the programmer, graphic designer Naoto Oshima and producer Takashi Iizuka of Sonic Generations (2011).

The second part focuses on the games. There are eight 2D games, ten 3D games, sixteen handheld ones and 23 spin-offs over the span of two decades. I only played the first three games so I'm reading about the rest for the first time. Each game has a short but informative writeup. The screenshots are a bit small though. I wished there were more and bigger. Stage designs for the games are gorgeous.

The last section has all the main characters and their profiles. The interesting bits are the Sonic cameos in other games.

This book is a nostalgic trip into the history of Sonic and SEGA.

Highly recommended for fans of the game.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

12 of 12 people found the following review helpful.
A fantastic, high quality history book for Sonic fans
By Relytia
For the past several months that I've had this book on pre-order, I've often wondered just what sort of book would it be when it finally arrived. Would this be an in-depth look at Sonic's real-life history as a video gaming mascot and the champion of Sega? Would this be an in-universe encyclopedia with entries on the characters, locales, and events in the Sonic series? Would it be more of a concept art book with cool commentary from some of the main people behind the Blue Blur? Turns out, it's all of these. As one who has been a massive fan of Sonic since his childhood, I think it's safe to say I am super happy with this book.

The book is broken down into several big sections with quite different focuses for each one. The first hundred pages or so goes into great detail about Sonic's real life history. Starting all the way back in the 1960's when Sega Enterprises was formed, to Sonic's inception as a character, all the way until the present, the book goes into great detail. It's a really fascinating read that gives a lot of insight into Sonic's history in the context of the bigger Sega picture, and the even bigger picture of the video gaming industry as a whole. Sonic is a trailblazer in many ways, and the history section of this book really makes you appreciate that. To end the history section are a series of really interesting interviews with some of the most important people behind Sonic, such as the ingenious Yuji Naka, arguably the father of Sonic, Naoto Oshima, the man who gave him his iconic look, and Takashi Iizuka, who has been his artistic director since Sonic Adventure. I love these kinds of interviews in books of this nature, and the quality of writing and information in this book is fantastic. I love it all. Great start.

After the history section, there are four big sections that are all about Sonic's games. They are broken down into 2D, 3D, handheld, and spin-off categories respectively. Some games get a lot of page space, such as Sonic the Hedgehog 2, which has about five or six pages. Other, more obscure titles, such as Sonic Shuffle, has only one or two. Some get less than that. The majority of the info is a summary of the game itself, its content, its innovations, a little real life history, features, a bit about the story, some really interesting trivia, etc. Each game also features a lot of great visuals, ranging from concept/official art to actual screen shots of the games they're from. It's all really well-done and classy. Even screenshots from the older systems and handhelds look very crisp and colorful. It's great.

Next is a rather large section about the characters of the Sonic universe. From the obvious like Sonic, Tails, and Knuckles, to the totally obscure like Jet the Hawk, there's quite a few characters represented. I was saddened, however, to see some of the more obscure ones don't get their own page, such as Fang the Sniper (aka Nack the Weasel), Ray the Flying Squirrel, or Mighty the Armadillo. Characters as obscure as these are thankfully referenced in the entries regarding the games they appear in (Sonic the Fighters in Fang's case, and SegaSonic the Hedgehog for Mighty and Ray). Each character that does make the cut in this section gets some history and in-universe information, as well as lots of beautifully printed pictures ranging from concept art, to official art, to actual screen shots. Again, as is the case in the entire book, all of the pictures are beautiful to look at, and the information is quite intriguing. The only let-down is the entry for the "Badniks and Bosses," where each game only gets about three pictures to show, and only 11 (with most being totally obscure or downright horrendous in the case of Sonic 06').

The book ends with an "Extra Zone" section that just boils down to a list of all the obscure, bizarre cameos that Sonic has made in other games over the years, like being able to use Sonic as bait in Sega Bass Fishing, or having him appear as a map shape in Shining Force II (A real classic). This part is quite silly and and enjoyable, but nonessential if you ask me. I would have preferred they ditched this section in favor of putting more pictures and info in the "Badniks and Bosses" part of the character section, but oh well.

All in all, this is an awesome book for a Sonic fan. Seeing as how Sonic the Hedgehog 2 was my first video game as a child and is still one of my all-time favorites, and given that I spent years of my life obsessing over Sonic's next adventure for years as a kid even into my teens, I think it's safe to say I'm a massive Sonic fan. I've been with him in the best of times, and endured his worst of times. That been said, this book was a real treat for me to read. The information is fascinating and full of insight, the art and pictures in the book scream high-quality and attention to detail, and that cover, featuring Classic Sonic on the front and Modern Sonic on the back, is just downright rad. The whole book is just awesome, and really captures Sonic's trademark "coolness" and attitude. Go ahead and add this book to the ever-growing list of fantastic publications from Udon (this book actually was made by the French comapany "Pix'N Love, and localized and published here by Udon). So whether you yourself are a big fan of the blue blur, or you have one in your life that you want to buy a gift for, look no further than this book.

12 of 13 people found the following review helpful.
Must buy for Sonic fans!
By Samantha Smith
I think every Sonic fan should add this book to their collection. I've been a Sonic fan for over 15 years and when I first heard about this coming out I immediately pre-ordered it. Warning: There's ALOT of pages so expect this book to take up a large portion of your spare time. It tells you everything and I mean EVERYTHING about what you need to know about Sonic. It tells you the history before and how Sonic was created, the rivalry between Sonic/SEGA and Mario/Nintendo, interviews with the creators (Sonic Team), what goes on during development, talks about all the 2D, 3D, handheld and spin-off games, Sonic ups and downs, cameos, all the characters from the games, never before seen artwork and sketches, etc There's a lot of reading but I'm going to enjoy every last page of it. I'm thinking about buying my 8 year old nephew this book cause he loves Sonic, too.

Highly recommend if you're a longtime Sonic fan like me or you're a new Sonic fan and you want to know all about Sonic and some of SEGA's history then you should pick this up.

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[D144.Ebook] Free PDF The Accidental Instructional Designer: Learning Design for the Digital Age, by Cammy Bean

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Don't create boring e-learning!

Cammy Bean presents a fresh, modern take on instructional design for e-learning. Filled with her personal insights and tips, The Accidental Instructional Designer covers nearly every aspect of the e-learning design process, including understanding instructional design, creating scenarios, building interactivity, designing visuals, and working with SMEs. You'll learn all about the CBT Lady and how to avoid her instructional design mistakes. Along the way, you'll hear from a few other accidental instructional designers, get ideas for your own projects, and find resources and references to take your own practice to the next level.

The Accidental Instructional Designer is perfect for the learning professional or instructional designer who is just getting started with e-learning―or the more experienced practitioner looking for new ideas. In addition to sharing proven techniques and strategies, this book:

covers best practices and what to avoid when designing an e-learning program
presents e-learning in action through various case studies
shows how you can go from being an accidental instructional designer to an intentional one.

• Sales Rank: #373683 in Books
• Brand: Bean, Cammy
• Published on: 2014-06-16
• Original language: English
• Number of items: 1
• Dimensions: 8.96" h x .49" w x 6.04" l, .0 pounds
• Binding: Paperback
• 224 pages

About the Author
Cammy Bean is the VP of Learning Design for Kineo http://www.kineo.com/, a global organization specializing in elearning solutions. Cammy Bean has worked as an eLearning instructional designer since the mid-90's (way back in the olden days, before we even called it e-learning!) In addition to the occasional novel, she likes to read books on instructional design and learning theory.
Mom to three kids, five fish, and one lizard, Cammy lives in Massachusetts. You can contact her on Twitter @cammybean or through her blog Learning Visions http://cammybean.kineo.com.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Accidental or Intentional - Highly Recommended Read
By M. Potter
Cammy lays it all out for you from what you can do right now to design better e-learning to resources to help you progress from accidental to intentional designer.

I couldn't put this book down once I started reading it. I too started out as an accidental instructional designer without the “requisite” degree and Cammy reminded me that I am not alone in that experience. Every chapter contains relevant knowledge that excites your brain (and heart) with material you can use to design your next course. From AIDA (not the opera) to seductive e-learning, you will walk away with actionable items that you can/will/want to incorporate in your next design project. After just the first reading, I am eager to join the “collective discovery” that is instructional design, accidentally and intentionally.

Thank you Cammy.

12 of 13 people found the following review helpful.
Instructional designers and eLearning managers can learn something from Cammy Bean's book
By Jon Aleckson
Here's a question for the eLearning managers out there: How many members of your instructional design team got involved in the field by accident? As the demand for training within organizations, professional associations, industries, and businesses continues to outpace the supply of formally credentialed instructional designers, individuals with diverse backgrounds and skill sets are often recruited or incidentally assimilated into the professional ranks.

I'd venture to say that no two instructional designers start their career in the same way, but that's OK! In fact, it's part of why I was so excited to attend Cammy Bean's keynote address at the recent Chicago eLearning Showcase. Cammy's message fit well with the theme of her new book, The Accidental Instructional Designer: Learning Design for the Digital Age, which is an important read for both managers and instructional designers alike. I am promoting the book (despite considering Cammy a "frenemy") because it represents the eLearning journey many of us have been on since the beginning of this century. The accidental aspect of our careers is symbolic of the life-long learning journey most adults should ready themselves for. In fact, those of us connected to new media have been required to learn new professions inside and outside the traditional schooling system. As Cammy notes in the opening chapter of her book, when you leave "the academy of instructional design," you discover that "in practice, instructional designer is an umbrella term that covers a whole slew of people and jobs."

The book takes on various topics from the perspective project managers, subject matter experts, designers, writers, and other stakeholders whom are necessary to create eLearning products. Cammy focuses on four core skill sets eLearning initiatives need to draw upon to be successful. Using the concept of a pie, she explains the importance of learning theory, creativity, technology, and business acumen as part of a holistic model that puts the role of an instructional designer into perspective.

When one looks at their role this context, they take total responsibility for the product. This is a refreshing attitude compared to old-fashioned instructional design curriculum where too much emphasis was placed on focusing on "needs analysis" and writing instructional objectives. While solid task analysis and pedagogy is important, it is not the only "design" consideration when technology and business goals are involved.

Cammy uses this approach as a launching point for a discussion of best practices in a variety of areas. Good intentions will only carry an instructional designer so far on any given eLearning project, so I was delighted to see her touch on each topic by identifying pressure points where instructional design mistakes can be made, and then offer solutions to help make sure best practices form the foundation any initiative. Even the fundamental elements of the profession are explained and explored with a practical message in mind. Cammy doesn't mince words when discussing ADDIE on pg. 33 of her book:

"... there's nothing special about ADDIE or even anything customized about it that helps you build better "instruction." That's because ADDIE isn't a design model; it's a project management model. It says, `Do these things in this order,' while telling you nothing about how to make your project sing and dance and come alive. That's why so many designers, especially those new to ISD, are sort of adrift. ADDIE is a big black box when it comes to the actual design part."

On this point I will offer a quick response. This PM framework probably developed because far too many ISD people are required to act as a PM--corralling experts, programmers, project sponsors, etc. to meet deadlines. This is especially true in higher education, where department deans expect an instructional designer to actually have some clout over a professor. Whatever the context, we all struggle with the endeavor of dealing with the EXPERT, and I appreciate the coverage the book gives this subject. It's nothing against subject matter experts and professors, of course. It's just that they are often not paid enough (if at all), and if they are truly an expert they will not have the right amount of time to devote to your project. See my MindMeld book for tips on collaborating with experts.

Cammy's book does a great job of providing practical tips on how to improve collaboration with the expert. Check: discuss the process and roles, establish yourself as an "ISD expert," agree to a schedule (good luck with that one), make sure your deliverables are visual, and provide leadership by educating the expert on good design (context, chunking, concise). Double Check. Cammy's list of questions to ask the expert should hang on all of our bulletin boards.

The cover of Cammy Bean's book, The book also covers the instructional design ABC's quite well and provides the "digital age" perspective we so badly need. Her "Show-me, Try it, Test me" concept, although reminiscent of Horton's eLearning by Design tomb (the learner Absorbs, Does, Connects) helps embed the basics to guide the designer and team. The book's coverage of "finding a hook" and explaining the interactivity continuum is an outstanding overview using both ample theory and practice experience. Here we learn:

Avoid Bling for the sake of Bling
If the Bling motivates the learner ... well, good
Make sure the activity makes the learner think
Encourage the learner to practice what they have learned
Use scenarios that put the learner in a context
Encourage reflection
Help the learner connect

Later chapters in the book focus on the need for good writing style and strong visuals. I appreciate the many examples Cammy shares from her real world experience as an instructional designer. She weaves her personal journey as an accidental instructional designer into every topic, which adds a nice personal touch and becomes a disarming device for anyone who might otherwise be intimidated to explore the field. She even covers the "Secret Handshake of Instructional Design" in Chapter 11 of the book and provides a list of important topics and theories to explore.

There are plenty of other little nuggets for eLearning managers, too. Have you ever thought to recommend the classic Attention, Interest, Desire, Action (AIDA) copywriting model to your ISD team? Have you ever explicitly warned your team to avoid the trap of "clicky-clicky bling-bling" interactivities? Or told members to see themselves as learning mixologists who look for the right blends of techniques and tools to support the needs of the client, rather than bartenders who pour out the same old pre-packaged e-learning over and over?

This would make a great textbook if the sub-title contained the word "on-demand" in it. I liked it so much I purchased a copy for our five instructional designers. There is an irony in Cammy's sophisticated approach as she is well known for her conference sessions on Articulate, the tool that brought us mundane eLearning, but nevertheless this is a must-read book for anyone involved with creating on-demand eLearning modules. It serves as a good reminder that the journey of an instructional designer can start anywhere, but it never has to end.

7 of 7 people found the following review helpful.
Disappointing
By Gregory M. Sparzo
Disappointing. Not worth my time or money. Written in a colloquial style that was soft on "hard" info and overdone in personal anecdotes, I found myself wishing I could return this. It reminds me of a version of saying, "most books should be magazine articles, and most magazine articles should be tweets."

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• Sales Rank: #4595903 in Books
• Published on: 2016-04-11
• Released on: 2016-04-11
• Original language: English
• Dimensions: 8.26" h x .20" w x 5.83" l, .25 pounds
• Binding: Paperback
• 86 pages

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When orphaned stunt-show star Johnny Blaze discovers his adoptive father Crash Simpson is dying of a rare blood disease, he barters his immortal soul for a miracle cure. The trade-off ultimately leaves him bound to the demon Zarathos, and their melding of spirits would manifest itself every night in the form of Ghost Rider, the most supernatural super-hero of all! Collects Marvel Spotlight #5-12, Ghost Rider #1-20 and Daredevil #138.

• Sales Rank: #923179 in Books
• Published on: 2006-12-20
• Original language: English
• Number of items: 1
• Dimensions: 1.00" h x 1.00" w x 1.00" l, 1.38 pounds
• Binding: Paperback
• 560 pages

Most helpful customer reviews

10 of 11 people found the following review helpful.
Satan turns Johnny Blaze into a flaming skeleton on a motorcycle
By Lawrance Bernabo
"Ghost Rider" was one of several horror comic books that Marvel put out in the early 1970s where you got hooked on the title because Michael Ploog was drawing the book and then he moved on to something else and it was just not the same with the replacement artist. This happened with "Werewolf By Night," "Monster of Frankenstein," and "Ghost Rider." No wonder the fact that Gene Colan was the artist on "The Tomb of Dracula" from start to finish was one of the reasons that comic book was far and away Marvel's best horror title. Ploog's distinctive style made him ideal for drawing horror titles (only Berni Wrightston was better, but he was working for DC), which is why the four issues of "Marvel Spotlight" that he drew that introduced the character of Ghost Rider are the best in this collection of black & white reprints.

As our saga begins we meet Johnny Blaze, the son of the famous stunt motorcyclist Barton Blaze, who is the headliner at Crash Simpsons' Daredevil Cycle Show. After Barton is killed doing a dangerous stunt, the orphaned Johnny is raised by Crash and his wife Mona. Traumatized by the death of his father it takes Johnny a while to ride one and look death straight in the eye, and when he does at the age of fifteen his motorcycle catches on fire, explodes and kills his foster mother. She makes him promise never to ride in the show. Johnny keeps his promises, but Crash and his daughter Rocky think it is because he is a coward, but Johnny practices on his own (he only promised not to ride in the show, right?). The he learns that Crash Simpson has less than a month to live.

So Johnny calls on Satan to spare Crash from the deadly disease that is killing him. The Prince of Darkness agrees and will be back one day soon to collect his fee. Crash decides to go for the world's cycle jump record (22 cars) and is killed (he did not die from the disease did he?). Johnny then performs the jump himself, which does not exactly endear his to the distraught Rocky, and then Satan shows up and intones: "From this day forth...you will walk the earth as my emissary in the dark hours, and in the light, you will join me in Hades!" Rocky intervenes to send Satan back to Hell, but each night Johnny Blaze becomes a burning skeleton. He just usually wears biker leathers so that all you see is his burning skull.

Actually it is not Satan but the demon lord Mephisto, but we do not learn that for a while and it really does not matter unless you are trying to reconcile the Marvel Universe with Judeo-Christian traditions. What is important is that while Mephisto was forced to leave without Blaze's soul, he was able to graft the essence of the demon Zarathos to Blaze's body. It takes Johnny a while to learn this and he thinks the Ghost Rider is just his own dark side manifested as a burning skeleton. The early stories keep the focus on what is now Johnny Blaze's Daredevil Cycle Show, and Mephisto brings back Crash Simpson as a slave to sacrifice his daughter to his dark lord. Unfortunately, by the time we get to the end of that storyline Ploog has been replaced by Tom Sutton as artist and it is just not the same. Part of the problem is that coming up with stories that bring together Satan and motorcycle each month becomes a bit difficult, which would explain why the comic featured more multi-issue storylines than most Marvel titles. This is why we get stories like "Death Stalks the Demolition Derby" ("Ghost Rider" #4) and our hero riding against the Stunt-Master (#7). Then there is the powerful stranger with the long hair and bear in "Ghost Rider" #9. Could that be....Him?

After that point the Ghost Rider takes on the Hulk (#10-11), the Phantom Eagle (#12), the Trapster (#13), and the Orb (#14), as he ends up in Hollywood as a movie stuntman and gets romantically involved with the actress Karen Page. This explains why Daredevil pops up at the end of this collection. By the time we get to the point where the Ghost Rider is fighting Spider-Man, the Thing, Hercules and a bunch of other superheroes in Hell to try and rescue the mysterious Jesus-like figure and save Karen (#18), "Ghost Rider" has jumped a whole lot more than the shark. Writer Tony Isabella creates one of the most convoluted storylines of all time and when the Son of Satan returns to help our hero (#17) trying to figure out what it all means is just not worth the effort. However, of the artists that replaced Ploog I have to say that Frank Robbins did give the book a unique look and his name should be included on the cover instead of Herb Trimpe (Robbins drew four issues included here and George Tuska three, while Trimpe just did the Son of Satan origin).

"Essential Ghost Rider Volume 1" collects together "Marvel Spotlight" #5-12, "Ghost Rider" #1-20, and "Daredevil" #138, which is the penultimate story in the collection because it is a crossover with "Ghost Rider" #20. Also, "Marvel Spotlight" #12 ends up being another crossover because Ghost Rider has his own comic book at that point and the spotlight is now on "The Son of Satan." Chances are that is one Marvel comic book that is not going to get the Essentials treatment, so this may well be the only time you see this "Ominous Origin Issue!" reprinted. In case you were wondering, yes, "Ghost Rider" was better than "The Son of Satan," a note on which I have to end.

1 of 3 people found the following review helpful.
Just another Marvel essential
By ArucardPL
Like all of the Marvel essentials, it's a lot of material for a low price. But it's in black and white and a really low quality paper. It's worth buying if you want to check the origins of Ghost Rider and not pay too much for it.

0 of 3 people found the following review helpful.
Ok
By Jonathan G.
I thought I was getting more but I did not. Johnny Blaze take is good and dark but nothing their.

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A masterful epic packed with drama and excitement; a blockbuster of a novel in the bestselling tradition of Wilbur Smith.

He thought he had everything until tragedy struck....

Adam Ross, orphaned at nine, cherished a dream―that one day he would have land of his own. The opal fields of Coober Pedy offered his first glimpse of riches―and Nellie, a dusky beauty, provided his first taste of love....

From the western plains of New South Wales to the balmy waters of Sydney Harbour, from the grinding heat of a West Australian cattle station to the eerie desert shores of Lake Eyre, Adam was driven by his ambition. At his side stood Heather, a woman whose blonde beauty masked a calculating heart of ice. And when tragedy struck, it seemed that Adam would never realize his dream....

• Sales Rank: #6808279 in Books
• Published on: 2015-05-15
• Formats: Audiobook, MP3 Audio, Unabridged
• Original language: English
• Number of items: 2
• Dimensions: 6.75" h x .68" w x 5.25" l,
• Running time: 35 Hours
• Binding: MP3 CD

From Publishers Weekly
The protagonist of this robust and sprawling saga set in the untamed Australia of the first half of this century is a true child of the outback. Orphaned at age nine, at home under the stars, completely unschooled, Adam uses his fists and his wits to rise from poverty to prosperity. He befriends an aborigine, performs dangerous work in the opal mines, falls in love with a sensual half-caste, has a run-in with a murderous policeman, marries a cold and manipulative beauty and finally treks west to carve himself an empire. This striking first novel tells a colorful and entertaining story, vividly evoking a vigorous, multiethnic society and a beautiful, diverse, often dangerous land. Green is a journalist and the author of Alice to Nowhere.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Nine-year old Adam is orphaned when his father is buried during an Australian desert sandstorm. A childhood of roaming the outback with his father's drilling partner instills in him a fierce determination to have a place of his own. In this fast-paced, gripping saga, the reader follows the hard-working Adam and his mates, Jimmy, the practical aboriginal, and Josef, the impetuous young German immigrant, from the opal mines to the desert. They feint with death in mine disasters, at the hands of Mailey, the revenge-seeking law officer, and in the ravages of flash floods. A more deadly threat for Adam is his beautiful, calculating, near-mad wife, but a seductive half-caste woman lends her own type of danger to all of the men. Essential for most fiction collections. Joan Hinkemeyer, Englewood P.L., Col.
Copyright 1987 Reed Business Information, Inc.

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Most helpful customer reviews

5 of 5 people found the following review helpful.
An Epic Saga From A Masterful Australian Writer
By John Baranyai
In this book the reader is introduced to Adam, an Outback man of few words. Adam enters the boxing ring at the start of this novel and becomes friends with Jimmy, a Australian Aborigine.Jimmy and Adam are then on the run from a corrupt Policeman and eventually arrive in the Outback Opal Mining Town of Coober Pedy.Adam then finds an opal the size of a loaf of bread and his Destiny is forever changed. This book is a wonderful epic from a very talented writer who sadly passed away a few years ago. I have actually visited Coober Pedy and Mr. Green's vivid description of the town brought back some treasured memories.

3 of 3 people found the following review helpful.
A great Australian saga
By ShoeSiren
This book is an in depth read into the life of Adam Ross, orphaned at 9. It reads brilliantly and has the most beautiful descriptions of the Australian outback. I remember reading it when I was about 13 and I couldn't put it down. Ten years on and I can still enjoy it just as much, although the words now make more sense!

The only advice I can give is to not purchase the ebook version as there are countless spelling errors. I would say at least 10 per page. It's incredibly frustrating as it looks like someone used predictive text to re-write the electronic version! Purchase a copy from a bookstore as it is a fantastic read.

3 of 3 people found the following review helpful.
Frustrating
By Barbara Hayden
I am quite enjoying this book but not enjoying the typographical errors. There are so many that it is distracting and extremely annoying. Doesn't anyone edit these e-books?

See all 31 customer reviews...

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Fascinating history of the many companies that logged the virgin hemlock forests of southwestern Pennsylvania after the tragic Johnstown Flood eradicated the dam that had previously barred the way. Each company is discussed in turn, allowing the reader to appreciate the sheer size of the logging industry. Illustrated throughout with black and white photos of the Climax, Shay and other locomotives that made the narrow gauge railroads possible as well as of the hardworking men and women who came to work, play (great pictures of the local baseball teams), and make their fortunes. With maps, lists of lumber companies and logging railroads, and locomotive rosters. 112 pages.

• Sales Rank: #3564355 in Books
• Published on: 1973
• Binding: Paperback

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In today's economy, marketing and business development have taken center stage at law firms.Marketing the Law Firm: Business Development Techniques examines how marketing can improve client satisfaction and increase the bottom line for both corporate and consumer practices. No matter the size of your law firm, this pragmatic book shows you how to utilize client surveys, Web sites, brochures and collateral pieces, databases, newsletters, direct mail, seminars, special events, advertising, public relations, proposals, presentations, and interviews. Marketing the Law Firm: Business Development Techniques is filled with case studies and examples of real law firm situations to help you put these tools and techniques into practice—and use them effectively. You'll find out how to: make realistic, long-term marketing plans for the firm, practice groups or individuals; market online; market a new capability; cross-sell your firm's services; create an “alumni” relations program; discover new business opportunities through market research, charitable contributions, and sponsorships; use flat fees as a billing alternative; train your lawyers—and your support staff—to be good marketers; surmount marketing obstacles; budget for marketing time, expenses and compensation; and measure the effectiveness of your marketing efforts. You'll also get up-to-date information on Web sites, extranets, client advisory boards, niche marketing and the uses of intranets. An appendix provides law firm marketing resources, including organizations, publications and studies.

• Sales Rank: #3535452 in Books
• Brand: Brand: Law Journal Press
• Published on: 2016-05-28
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 7.50" w x 2.75" l, .0 pounds
• Binding: Ring-bound
• 650 pages

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• Used Book in Good Condition

Review
“Sally Schmidt's book, Marketing the Law Firm: Business Development Techniques, is a bible, a must-read, and a springboard to law firm marketing for any new or seasoned marketing professional. Its frequent updates are easy to insert and the range of information is nearly exhaustive.” —Rita Menz, former Director of Client Relations, Patterson, Belknap, Webb & Tyler, LLP, New York

About the Author
Sally J. Schmidt, the first president of the Legal Marketing Association (LMA), is the president of Schmidt Marketing, Inc. Headquartered in Edina, Minnesota, her company has served hundreds of client law firms throughout the United States, Canada, Europe, New Zealand, Mexico and Australia. Ms. Schmidt has taught Principles of Marketing at the University of Minnesota, where she received her M.B.A. (in marketing) and her B.S. She is also the former Director of Client Relations and Marketing for a 100-attorney firm in Minneapolis and a well-known author and lecturer on law firm marketing topics.

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I recommend!
By Fernanda A. Greppe de Mello
This book gives us a general and great view about legal marketing. As it is based on researches from different sources related to the legal market industry, it can help all professionals from everywhere that aim to learn more about this specific area. It is worthy reading and I recommend to all marketers that want to develop a creative and innovative work in their firms.

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Torah study is about making connections. We relate various passages and words together and find a higher meaning that was not there a moment ago. This process is a time honored one and is acted upon by simply taking up the Tanach and reviewing a certain passage or reading what Rashi has to say. There are a number of methods to go about this.
 My study of Tikkunei Zohar is similar to all of these methods in that what I am seeking is that higher voice that rings through and unifies above and below. Inside these pages we are called upon to step outside of ourselves in order to discover the deepest inner meetings. Now it would've been possible to to present excerpts of the text and then describe what was going on, however, there's more here than a simple retelling of this presentation. Allegory is the most common device used to present the Torah inquiries we find here. The goal that I had in mind was to bring about a practical interpretation allowing the reader to make immediate use of the material in the transformation of their consciousness and with immediate results for your life experience. In almost every case higher mind is being accessed and being asked to stretch itself again and again. Therefore TKZ Revealed presents the entire text in the consciousness of "the way things work."
 Imagine that you are immersed in Torah study struggling with a verse for a concept the meaning of the word and in a flash of inspiration you feel yourself lifted beyond the moment and realize that someone is standing with you helping you to achieve your purpose. In order to make this happen there's a very special place that you need to enter into. This very special place is what is called the cave. It is this very same cave that Rabbi Shimon bar Yochai entered into at the beginning of this text. While he was in the cave Elijah came to offer insights, discovery, revelations into meanings of the word Bereishis. There are 70 meanings that are discussed. Now we realize that whenever we are speaking of one thing it needs by relationship to another thing. This is the basis for all of the expositions that are presented in TKZ and by extension in every bit of my commentary.

It is in this commentary inside of the cage inside of the cave that you will find Elijah standing by you.

The cave is your untapped awareness, and it is inside of the cave that we find in the opening for Rabbi Shimon and his son Eleazar.


They flee to the wilderness of Lod. Lod is spelled Lamed 30 Vav 6 Dalet 4 which adds up to forty. It is this same wilderness of 40 that symbolizes the Israelites sojourn following their deliverance from Egypt.

It is inside of this wilderness that all of our insights about Torah are revealed.
 Call this an in-depth study of the meanings we may find via the connections of Torah.

It would have been enough to discover the meanings and be enlightened by them. However, a further step has been taken. These Torah insights have been combined with their practical applications to every day life.

This makes Tikkunei Zohar Revealed A unique tool for accessing both the secrets of Torah and deeper inner meanings of our own consciousness.

Along the way we learn about the mystical teachings of Kabbalah. If there is one thread that runs through the entire narrative it is Shekinah. In simple terms Shekinah is the connecting link between above and below existing in simultaneous timeless being both above and below.

• Sales Rank: #781147 in Books
• Published on: 2015-03-20
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x 1.48" w x 7.44" l, 2.53 pounds
• Binding: Paperback
• 654 pages

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1 of 3 people found the following review helpful.
A commentary on a mystical book
By Israel Drazin
Mark Siet gives the opening translations of a few lines from each of the sections of Tikkunei Zohar (also spelled Tekunei) which he translated from a Hebrew translation of the original Aramaic. He follows this brief translation with a commentary which is based on the full section. The full section is not in his book. The commentary focuses on his understanding of kabbalistic principle and his studies in consciousness. He writes that his goal is to “bring forth the hidden mysteries [of the Torah].” Topics include ritual, prayer, the Tree of Life, the Tree of Knowledge of Good and evil, the mystical meaning of many things in the Torah, and much else.
What is the Tikkunei Zohar?
Most people have misconceptions about the Zohar (meaning, “luminous”) and the Tikkunei Zohar, also called Tekunei Hazohar, “rectification (or repairs) of the Zohar.” They believe the Zohar and the Tekunei are holy documents composed by Rabbi Simeon bar Yochai around the year 130 CE. However, scholars recognize that Moses d’ Leon, a Spaniard living in Granada, wrote the Zohar around 1286, that parts of the book were added by others after his death, and that the work is a pious forgery. Zohar, “luminous,” alludes to the notion that God illuminates the people through mysticism. But while ostensibly dealing with enlightenment, the Zohar is usually very difficult to understand and many of its ideas are mystical, which are hard if not impossible to fathom.
The Tekunei Zohar is a separate document than the Zohar. Its first printing was in 1558. It contains seventy commentaries. The idea of “repair” is not to fix the thirteenth century Zohar but to repair God.
Both the Zohar’s and Tekunei’s basic teaching is the doctrine of the Sefirot, “numbers,” ten divine entities (parts of God) that function in ten different ways. The lowest entity is shekhinah, also called malkhut, which mystics see as the anthropomorphic feminine part of God that interacts with humans.
The mystics feel that the ten parts of God became separated and that humans have a duty to help God become one with all his ten disjointed parts reassembled. When this is done, the messianic age will arrive.
While mystically-minded people may enjoy the Zohar and Tekunei or parts of it, rationally-minded people will find it hard to understand and difficult to accept ideas they do understand. They find the notions in these books especially difficult since most mystics take them literally. Some examples of teachings in the Tekunei are:
• Prayers form the basis for the throne upon which God can reside.
• God’s name Adonai is the chariot for y-h-v-h (another name for God).
• The lowest part of the ten parts of God is female, which has to be reunited with the other ten parts of God. People should learn from this and unify with their feminine nature.
• There is no Torah without fear and no fear without Torah.
• The twelve zodiacal signs determine the sign for each hour and what its aspect is.

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