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The Hellenistic Age was a new era of Greek civilization that began with the death of Alexander the Great in 323 B.C. and lasted until the Roman emperor Octavian defeated the last independent Hellenistic monarch, Cleopatra VII of Egypt, in 31 B.C. Burn traces the development of a distinctive new Hellenistic culture that was shaped both by artists who spread innovations across the Mediterranean region and by rival monarchs who commissioned luxury articles and sponsored elaborate city developments.
This cross-pollination produced great diversity in artistic subjects, techniques, and materials. Alongside sculptures of mythic Greek figures appeared those of new gods, such as the Egyptian Serapis, as well as depictions of common people, such as fishermen and nursemaids. Artists produced works of widely varying sizes, from the colossal statue of Apollo at Rhodes to pocket-sized table decorations. Technical virtuosity flourished in the fields of pottery, glass, and jewelry.
In this illuminating survey, Burn argues for a new appreciation of the advances and range of Hellenistic art and the influence it continued to exert on Mediterranean culture into the first centuries of the new millennium.
- Sales Rank: #1428002 in Books
- Brand: Brand: J. Paul Getty Museum
- Published on: 2005-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.63" h x .60" w x 7.50" l, 1.35 pounds
- Binding: Paperback
- 190 pages
- Used Book in Good Condition
About the Author
Lucilla Burn is Keeper of Antiquities at the Fitzwilliam Museum, Cambridge, UK, and the author of The British Museum Book of Greek and Roman Art.
Most helpful customer reviews
6 of 6 people found the following review helpful.
OK, but
By toronto
This is the closest thing we have to an up-to-date survey of Hellenistic Art, but while it has virtues (it is short, clear, and with good pictures) it isn't really authoritative. The alternatives are Pollitt (from 1986, brilliant and exhaustive), and R.R. Smith (1991) which is nothing special. You would think that, given the extraordinary rise in interest in the period, and the discoveries of the last 30 years, that there would be a great big book or exhibition catalogue (for a dream exhibition?) that would be out there.
It is worth noting that, while the book is published by the Getty Museum, the book is not focussed on their collection, but ranges widely.
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